Some whimsical wanderings through the worlds of words, writing, and old movies and TV -- along with some selected short subjects.
Wednesday, July 14, 2021
Dog Days
Tuesday, April 27, 2021
Straight from the patient's mouth
My dental appointment is almost over, and as I wait for the hygienist to bring me my usual “goodie bag” of toothpaste, a new toothbrush and floss, I can gaze out the window and look at the State Tower Building, the tallest building in town, and indulge in some remembrances of appointments past….
I’m about 15 years old as my mother and I get off the eighth floor for my first appointment with a guy I’ll call Dr. G.
I need an orthodontist. My parents can’t afford one, but they have heard that Dr. G, a regular dentist, dabbles in orthodontics and isn’t that expensive, so here we are.
We check in with the receptionist, who is young and quite cute. The office’s music system is playing “The Fool on the Hill” by the Beatles.
Dr. G is a pleasant man who favors Hawaiian shirts. He also resembles Robert Benchley, whom I like and who once wrote a funny essay about his own dental woes. The room where Dr. G works is dominated by teeth — sets of choppers (maybe a couple of hundred?) line the walls. They’re molds taken from the mouths of his other young patients.
Dr. G says he is going to make a mold of my teeth and put it on one of the walls, and every time I come in he’ll have me try to pick it out on the wall. Dr. G doesn’t seem to realize that I’m not a little kid and that at this stage of my life I’m far more interested in the cute young receptionist.
He makes the mold (the cement tastes a little like sherbet), and weeks later I begin wearing an “appliance” fastened to the top of my mouth with a loathsome substance called Fasteeth, which definitely doesn’t taste like sherbet. For a few years after I stop wearing the appliance I will sometimes dream that it is still in my mouth, Fasteeth and all. And whenever I hear “The Fool on the Hill” I will always think of Dr. G and that cute young receptionist, though never in that order….
Years later I am taking another scary trip on the elevator that goes all the way up to the top floor of the city’s tallest building and the lair of Dr. X, who is a gum surgeon. Alas, I have developed gum problems. Who knew? When I was a kid the toothpaste commercials only talked about cavities, and I almost never had any, which ticked off my sister Mary, whose teeth would begin to rot if she looked at them sideways.
Dr. X slightly resembles Lionel Atwill, an actor you’ve probably seen if you watch a lot of old movies. Atwill was the go-to guy if you wanted a mad scientist, and at least once he played Professor Moriarty (and a character actually named Dr. X). Dr. X has an assistant named Inga, and if that isn’t a mad scientist’s assistant’s name, I don’t know what is.
Having performed gum surgery on me a while back (I’ll spare you those details), Dr. X is about to check my progress by “charting” my gums. This involves measuring the “pockets” of my gums (in millimeters, I think) with a small device that is not pleasant. As he charts the gums, he calls out each number (anything above three isn’t good) so Inga can write everything down.
During this process, Dr. X, his tone sometimes accusatory, sounds as if he is running a bingo game in hell: “Two … three … two …. FOUR! … Three … two … three … FIVE!” And so on.
After this performance, he turns on a machine and theatrically dictates a note to my dentist, telling him that despite a few FOURs and FIVEs I am on the whole doing OK and will not need any more gum surgery. For now.
Whew! That’s a relief. But I still have to face the elevator ride all the long way down to the lobby. Yipes!
I wonder whether Sir Isaac Newton looked like Lionel Atwill.
Tuesday, March 16, 2021
Newsroom Memories: Ramona and the Taxi Driver
Her name was Ramona, and she liked to tell about how, when she was a little girl, an uncle told her a bedtime story about a magical land.
The uncle’s name was L. Frank Baum, and the magical land was Oz.
Ramona also said she once appeared in a movie with Mary Pickford. I have never been able to confirm this, but who knows? Maybe she did.
Ramona was the newsroom’s religion reporter. This meant that on Sundays she and her tape recorder would go to one of the local churches, where she would sit in a pew and record the sermon. After the service Ramona would go to the newspaper, sit at a desk in a far corner of the newsroom and write her story on a manual typewriter. Someone would later retype it on an electric typewriter so it could be scanned into the computer system.
Ramona had been an actress, and she was still a trouper. If an editor told her we were tight on space and she needed to hold her story to two pages, she would nod or say “OK.”
Then she would widen her typewriter margins as far as they could go.
On Sundays I ran the copy desk, which was near the other end of the room. The copy desk was actually a number of desks that were combined in the shape of a horseshoe. I sat on the inside of the horseshoe (called “the slot”) while the editors I supervised sat on the outside (called “the rim”).
There was nothing really wrong with Ramona’s religion stories, but when quoting a minister she’d sometimes omit the second set of quotation marks, and I often couldn’t tell where the quote ended because Ramona wrote a lot like the people she wrote about. So I’d insert the missing marks where they seemed to make the most sense, figuring that God probably wasn’t going to call the paper the next day and bitch.
Ramona sometimes worked on a weekday, writing other stories. On one such day I was once again in the slot while two guys on the rim, Dan and Paul, were talking about the movie “Taxi Driver,” which had come out not that long ago. Our boss, George, sat to my right.
At one point Paul did an imitation of Travis Bickle, the psychotic title character played by Robert DeNiro, who in a famous scene looks in a mirror: “Hey … you talkin’ to me? You talkin' to me? Cuz if you’re not talkin’ to me, who are you talkin’ to?”
So of course Dan had to do his version of the speech. Dueling DeNiros.
During all this, Ramona, who I’m sure was oblivious to it, kept on working, far away from us.
Fun is fun, but stories were piling up and I had to get the operation back on track. So I did the speech in French: “Eh — vous parlez à moi? Vous parlez à moi? Parce que si vous ne parlez pas à moi, à qui parlez-vous?”
That broke them up and, more important, successfully signaled that it was time to get back to work.
Maybe a half-hour later Ramona got up from her desk and slowly made her way across the room.
At one point she shuffled past the copy desk, and our boss, George, who’d known her for many years, called out to her.
“Ramona! How the hell are ya?”
She turned and looked at him.
“You talkin’ to me?”
Wednesday, February 24, 2021
Newsroom Memories: Telephone Fun
For most of my newspaper career I was in departments where the phone didn’t ring unless it was someone’s spouse or kid or whatever, or unless the switchboard operator didn’t know how to route the call and took a wild — and usually wrong — guess.
The features department was different.
One day I took a call from an angry woman who sounded as if she could have been a grandmother. She was complaining about a picture on the cover of that day’s section.
The main story — with picture — was about back-to-school fashions.
"No, that’s not it!” she said. “That’s OK! I mean the other picture, lower on the page!”
There wasn’t much to see there, aside from a two-by-three-inch picture accompanying a brief about an upcoming play.
“That’s the one! How dare you run that in the paper where children can see it!”
The picture showed two men and a woman in 1920s-style clothing. One man sat in the foreground as the other man approached him from behind, holding out a rope with the apparent intention of strangling him. The woman, dressed like a flapper, looked on with exaggerated horror. Matter of fact, everything in the picture was silly and exaggerated. We’re not talking Quentin Tarantino here.
I told the caller that I doubted that kids (assuming they ever looked at the paper) would see that tiny photo and immediately begin garroting each other.
“DO YOU HAVE CHILDREN?”
I would have liked to have said I had twelve little buggers at home, or a degree in child psychology, but lying is wrong and besides the bosses might find out if I fibbed. So I said no, and she said I had proved her point. (“Don’t take any logic classes any time soon,” I didn’t say as I went into default mode for such callers: Let them vent and run out of steam, then politely say “Thank you for calling” and hang up.)
Then there was a call I didn’t take.
In the wee small hours a security guard would often staff the switchboard. One night it was a middle-aged guy who always seemed a little screwy. He once told me he had been a dean at the local community college. Uh huh.
Late one night while I was in the men’s room one of the sports guys came in to tell me that the guard was looking for me and that I had a phone call. Some woman calling me.
A woman calling me at 1:30 a.m.? A woman calling me at all?
I found the guard. “That’s right!” he said. “She was asking for you! Asking for Mark Murphy! But she hung up before I could find you!”
Off and on over the next day or two I racked my brain trying to figure out who the woman was.
At one point I thought of one possibility, a talkative former part-timer who used to call in stories to us in the days before laptops. I got along with her, but she could be an awful pest on deadline.
I called her anyway. I almost didn’t recognize her voice because she was sober.
No, she said, she hadn’t called me.
Maybe a day or two later a friend and former colleague named Lou called me at home. He said he’d tried to call me earlier in the week at the paper.
Yep, dear reader, that “woman” was Lou. (Oh well. He was a soft-spoken guy.)
Eventually that security guard wasn’t around anymore. Maybe he got another job in academia. Or maybe not, but that could explain a lot of things.