I don’t remember where I first heard of Barbara Lakey (better known as “Babs”) or Futures Mysterious Anthology Magazine (better known as “FMAM”), which she founded and published.
I do remember that I had written a mystery story and I was looking for a place to send it.
You have to be careful when you’re marketing your work. Not every publisher is honest; there’s a reason there’s a website called Writer Beware.
But as I read about Futures, I saw a name I recognized: Henry Slesar, who was one of FMAM’s advisers, had written stories for Alfred Hitchcock’s Mystery Magazine; had adapted some of those stories for Hitchcock’s TV show; and had served as the head writer for a daytime soap, “The Edge of Night,” for many years. And on the side he ran his own ad agency.
So I figured I could trust Babs Lakey, even if she could have chosen a better name for her magazine. She meant “futures” in the sense of investments, like gold futures; she felt she was investing in new writers. Unfortunately, after I began selling stuff to Futures, some people I know thought I was a science fiction writer. Oh well.
Not long after I found out about Futures, Mr. Slesar died and Babs launched a short story contest in his memory. I entered it, won third place, and had the option of submitting it to the magazine, which I did.
The fiction editor surprised me by rejecting it, so I wrote to Babs.
“Why don’t you email a copy of this story, would you?” she wrote back. “I always enjoy seeing what we turn down.” So I did.
I also submitted another story, based on my experiences as a newspaper copy editor. By this time there was a new fiction editor, “an old newshen” who said she really liked the story, which was about 8,000 words, but could I cut it to 5,000 to 6,000?
Gulp. Then again, I had sometimes slashed the hell out of reporters’ stories, and those who live by the delete key must die by the delete key. And of course the shortened story was much better.
But after a few months went by with no word from the new fiction editor, I wrote to Babs. Turns out that the new editor had left and there was still another fiction editor. Because of a problem with the file system, he had only the original version and liked it but wished it were shorter. So I told Babs about the shorter version, she told me to send it, and he immediately accepted it.
And within a few hours I received word that the story from the contest had been accepted for the magazine. Babs even put my name on the cover of that issue.
Two sales in one night! (I also remember that this was the same night that Arnold Schwarzenegger was elected governor of California. I was at least as happy as he was.)
I wish I could say I sold many more stories to Futures, but it folded despite Babs’ tireless efforts. She lost a lot of money and, from what I’ve heard, her health. I’ve read that she is retired now, and I’m sorry to say that we’ve lost touch. I hope she is doing OK.
And I’ve always kept the note she sent me about my newspaper story, “An Eye for Detail,” which is probably my best mystery so far:
“Just did the layout for your story and wanted to tell you what a GREAT one!! FABulous job, Mark!!
babs”
Could anybody ever ask for a better editor?
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