My story "A Personnel Matter" has been published in the Winter 2012 issue of Mysterical-E.
You can read the story -- free -- by going here.
Some whimsical wanderings through the worlds of words, writing, and old movies and TV -- along with some selected short subjects.
Friday, February 24, 2012
Thursday, February 23, 2012
Bless us, Ms. Clooney, for we have sinned
One of the local shopping malls has an unusual feature: a Roman Catholic chapel. It's been there for 12 years.

The chapel, operated by the Franciscans, offers services five days a week.
One of the local weeklies ran a feature story about it.
According to the story, the chapel also "offers reconciliation, Adoration of the Blessed Sacrament and Praying of the Rosemary."
(Maybe the opening hymn will be "Come On-a My House of Worship"....)

The chapel, operated by the Franciscans, offers services five days a week.
One of the local weeklies ran a feature story about it.
According to the story, the chapel also "offers reconciliation, Adoration of the Blessed Sacrament and Praying of the Rosemary."
(Maybe the opening hymn will be "Come On-a My House of Worship"....)
Tuesday, February 21, 2012
Alice, Where Hath Thou Gone?
No, that happy fellow you see here isn’t Alice.
His name is Bosko.

Not to be confused with that chocolate syrup called Bosco that was popular (or was at least advertised a heck of a lot when I was a kid) and that had this jingle:
Oh, I love Bosco!
That's the drink for me!
Chocolate flavored Bosco
Is mighty good for me.
Mommy puts it in my milk
For extra energy.
Bosco gives me iron
And sunshine vitamin D.
Oh, I love Bosco!
That's the drink for me!
I suspect that the alternate version of this jingle was better known to my generation:
I hate Bosco,
Bosco's not for me,
My Mommy puts in my milk
Just to poison me,
But I fool Mommy,
I put it in her tea,
And now there's no more Mommy,
To try and poison me.
The Bosko in the picture is in a scene from a motion picture that was a first – a landmark in the history of cinema. And no, I’m not kidding about that, and I’ll explain later.
But back to Alice.
She was a tragic figure from my childhood. The source of a minor trauma, if you will.
The kind of trauma that Fred Rogers, who understood kids better than anyone, zeroed in on years later in one of his songs.
I can still see him perched on his bathtub the day he reassured his very young viewers that “You can never go down the drain.”
Some in our family made fun of him for doing that. I myself was long past being a toddler (I’d probably recently collided with that 10-ton truck that is known to all as Puberty) and so chances are that I, with the knowing ignorance of youth, joined in the japery.
But if I mocked Misterogers, I suspect my heart wasn’t in it.
Because his song did touch a nerve. And evoke memories of the long-lost Alice.
I made her acquaintance when I was a little kid, at that stage where your parents still don’t trust you to adequately bathe yourself.
And to pass the time while she was making sure my neck and back were as presentable as possible, my mother would croon a tune about Alice. My father might well have sung it too when he filled in for her, but I mostly remember my mother singing it.
And although I think my mother sang it to other kids in the family, I suspect she sang it to me because she liked the effect it had on me – me, the kid who was able to read at a very early age and was, therefore, considered precocious and relatively sophisticated.
For though I tried not to show it, the song did scare the heck out of me.
Which is ironic, because now I can remember only parts of it.
I believe it began with a little musical dialogue:
“Alice, where are you going?”
“Downstairs, to take a bath….”
I can’t remember the lyrics from the middle part of this ditty, but I remember the melody, which, along with the words, built up the kind of suspense and tension that Alfred Hitchcock would have envied.
For you see, our Alice happened to be a toothpick.
And the last two lines went something like:
(Blank blank blank blank blank) in vain:
There goes Alice down the drain!
So of course, when my mother would pull the plug, there was that momentary fear – flying in the face of all that was known about physics – that I might too meet Alice’s fate. Irrational, yes? But then again, although I knew how to read, Archimedes wasn’t one of my favorites.
Some time ago I began wondering where my parents picked up that song.
So I consulted everybody’s reference work: the Internet.
Where you can find anything.
And I mean anything.
And I found nothing.
Absolutely nothing about Alice the Toothpick.
Talk about dying in vain.
My best guess is that someone in my mother’s family made it up. Maybe her brother – my uncle – who was a published poet. Or their father – my grandfather – whom I never met but who was known for his sense of humor.
I suppose it might have come from my father’s side of the family, but I doubt it. His relatives had no discernible sense of humor and I can’t recall them ever laughing at anything, although I suppose that the sight of some guy falling down a flight of stairs might have given them a chuckle, especially if they'd pushed him.
And because no one is still around from my mom’s side of the family, I guess Alice’s origins will forever remain a mystery….
The photo with our friend Bosko is from a 1930 cartoon called “Sinkin’ in the Bathtub.” It was the first Looney Tunes cartoon ever made, and it was animated by one of the true (and I fear still unsung) geniuses of animation, Isadore “Friz” Freleng.
Freleng went on to become a cartoon director – most of the Tweety and Sylvesters were his, he also gave us Yosemite Sam and he helmed (as we critics like to say) my favorite Bugs Bunny cartoon, “Little Red Riding Rabbit.”
And more than a quarter century after drawing the primitive “Sinkin’ in the Bathtub,” Freleng made a masterpiece, “Three Little Bops,” with voices by Stan Freberg.
His name is Bosko.

Not to be confused with that chocolate syrup called Bosco that was popular (or was at least advertised a heck of a lot when I was a kid) and that had this jingle:
Oh, I love Bosco!
That's the drink for me!
Chocolate flavored Bosco
Is mighty good for me.
Mommy puts it in my milk
For extra energy.
Bosco gives me iron
And sunshine vitamin D.
Oh, I love Bosco!
That's the drink for me!
I suspect that the alternate version of this jingle was better known to my generation:
I hate Bosco,
Bosco's not for me,
My Mommy puts in my milk
Just to poison me,
But I fool Mommy,
I put it in her tea,
And now there's no more Mommy,
To try and poison me.
The Bosko in the picture is in a scene from a motion picture that was a first – a landmark in the history of cinema. And no, I’m not kidding about that, and I’ll explain later.
But back to Alice.
She was a tragic figure from my childhood. The source of a minor trauma, if you will.
The kind of trauma that Fred Rogers, who understood kids better than anyone, zeroed in on years later in one of his songs.
I can still see him perched on his bathtub the day he reassured his very young viewers that “You can never go down the drain.”
Some in our family made fun of him for doing that. I myself was long past being a toddler (I’d probably recently collided with that 10-ton truck that is known to all as Puberty) and so chances are that I, with the knowing ignorance of youth, joined in the japery.
But if I mocked Misterogers, I suspect my heart wasn’t in it.
Because his song did touch a nerve. And evoke memories of the long-lost Alice.
I made her acquaintance when I was a little kid, at that stage where your parents still don’t trust you to adequately bathe yourself.
And to pass the time while she was making sure my neck and back were as presentable as possible, my mother would croon a tune about Alice. My father might well have sung it too when he filled in for her, but I mostly remember my mother singing it.
And although I think my mother sang it to other kids in the family, I suspect she sang it to me because she liked the effect it had on me – me, the kid who was able to read at a very early age and was, therefore, considered precocious and relatively sophisticated.
For though I tried not to show it, the song did scare the heck out of me.
Which is ironic, because now I can remember only parts of it.
I believe it began with a little musical dialogue:
“Alice, where are you going?”
“Downstairs, to take a bath….”
I can’t remember the lyrics from the middle part of this ditty, but I remember the melody, which, along with the words, built up the kind of suspense and tension that Alfred Hitchcock would have envied.
For you see, our Alice happened to be a toothpick.
And the last two lines went something like:
(Blank blank blank blank blank) in vain:
There goes Alice down the drain!
So of course, when my mother would pull the plug, there was that momentary fear – flying in the face of all that was known about physics – that I might too meet Alice’s fate. Irrational, yes? But then again, although I knew how to read, Archimedes wasn’t one of my favorites.
Some time ago I began wondering where my parents picked up that song.
So I consulted everybody’s reference work: the Internet.
Where you can find anything.
And I mean anything.
And I found nothing.
Absolutely nothing about Alice the Toothpick.
Talk about dying in vain.
My best guess is that someone in my mother’s family made it up. Maybe her brother – my uncle – who was a published poet. Or their father – my grandfather – whom I never met but who was known for his sense of humor.
I suppose it might have come from my father’s side of the family, but I doubt it. His relatives had no discernible sense of humor and I can’t recall them ever laughing at anything, although I suppose that the sight of some guy falling down a flight of stairs might have given them a chuckle, especially if they'd pushed him.
And because no one is still around from my mom’s side of the family, I guess Alice’s origins will forever remain a mystery….
The photo with our friend Bosko is from a 1930 cartoon called “Sinkin’ in the Bathtub.” It was the first Looney Tunes cartoon ever made, and it was animated by one of the true (and I fear still unsung) geniuses of animation, Isadore “Friz” Freleng.
Freleng went on to become a cartoon director – most of the Tweety and Sylvesters were his, he also gave us Yosemite Sam and he helmed (as we critics like to say) my favorite Bugs Bunny cartoon, “Little Red Riding Rabbit.”
And more than a quarter century after drawing the primitive “Sinkin’ in the Bathtub,” Freleng made a masterpiece, “Three Little Bops,” with voices by Stan Freberg.
Saturday, February 18, 2012
'Busy, busy, busy'
If you're of a certain age (OK, OK, if you're, say, over 50, like me), you might remember the gentleman on the right.

His name was Billy De Wolfe, and he was one of the great character comedians of the 20th century. And he was always funny.
Anyway, I've used one of his catchphrases as today's headline. I'm not doing it so much as to pay tribute to Mr. De Wolfe (although he certainly deserves to be remembered) as to explain why I've been away for a while. According to my profile, I'm a "freelance copy editor," and that lance has been quite in demand lately.
Not that I'm complaining, of course.
But I do feel bad that I haven't been able to check in lately.
I hope to post more often when I get more breathing space.
And those of you who have followed this blog for some time might be happy to know that I am once again booked to compete next month in the American Crossword Puzzle Tournament and plan to (also once again) report on my experience.
I hope you'll stay tuned.

His name was Billy De Wolfe, and he was one of the great character comedians of the 20th century. And he was always funny.
Anyway, I've used one of his catchphrases as today's headline. I'm not doing it so much as to pay tribute to Mr. De Wolfe (although he certainly deserves to be remembered) as to explain why I've been away for a while. According to my profile, I'm a "freelance copy editor," and that lance has been quite in demand lately.
Not that I'm complaining, of course.
But I do feel bad that I haven't been able to check in lately.
I hope to post more often when I get more breathing space.
And those of you who have followed this blog for some time might be happy to know that I am once again booked to compete next month in the American Crossword Puzzle Tournament and plan to (also once again) report on my experience.
I hope you'll stay tuned.
Sunday, January 15, 2012
Where was I 40 years ago today?
In a TV studio, with a broken ankle -- as this Murphy's Craw rerun explains:
Wednesday, January 4, 2012
Let the depositor beware
A print ad for a local bank includes the following boast:
"Our tellers have been trained in identity theft."
"Our tellers have been trained in identity theft."
Tuesday, December 27, 2011
40 years ago this month ...
… I walked into the newsroom of the morning paper in my town and approached the copy desk.
It was early afternoon, so there was only one person there. The “desk” was actually a group of desks arranged in the shape of a right-angled horseshoe, and he sat in the center of it as the “slot,” or supervising copy editor.
When he saw me, he did a double take. To this day I don’t know whether it was a real double take or whether he was trying to be funny.
But given the ironic lack of communication among those who toil in the news business, I wouldn’t be surprised if no one had told Steve Mekeel that this high school student standing in front of him was supposed to spend an afternoon with him.
This had been arranged (or so I thought) by a guy named Dick Beaudet, who worked on the night desk of the evening paper, which was owned by the same company and had a separate staff that was literally walled off from their competitors on the morning paper. The company had recently launched a program in which young people with an interest in journalism could hang out at the papers to get an idea of what it was like.
Our group was part of the Exploring program, sponsored by the Boy Scouts, although I fortunately never had to wear a uniform and even more fortunately never had to try to cook anything over an open fire.
I’d joined after receiving a form letter from the publisher, inviting me aboard on the basis of a career questionnaire I’d filled out at school. The group met for the first time that fall and for the rest of the school year usually met every second Thursday night.
I’ll never forget our second meeting.
Dick had us all in the evening paper’s newsroom, seated at manual typewriters.
“All right,” I recall him saying with a bluster that would have done Perry White proud, “you’re all going to write a story tonight! You’re not going to have to do any reporting, because I’m going to give you the facts, and whoever writes the best story will get it in the paper!”
The “story” was about how, in the meeting room downstairs, someone from the local Boy Scout council was going to give a representative of the company the charter for our Explorer Post as our parents watched.
Dick rattled off the facts, and I put together a story. I’d never written a news story before, but I’d been reading the local papers for years – I was somehow able to read at a very early age and as a tot would sometimes beat my grandmother to the evening paper when it arrived – and I must have picked up the standard “inverted pyramid” newswriting format through some form of osmosis.
The next night when the paper arrived at my home, the top of the front of the second section featured a story “By Mark Murphy, Explorer Post Reporter.”
My first byline. (Nothing like it. Still have it somewhere.)
Some weeks later Dick tossed me a two- or three-page handout from a state senator and asked me to write a story from it.
Two weeks later, Dick, again in Perry White mode, came up to me. “You Mark Murphy?”
I indicated that I was.
“Here!” he said with no warmth whatsoever as he tossed a tearsheet at me. Then he walked away to handle some other onerous chore.
I looked at the tearsheet. It contained my rewrite of the handout. There was no byline on it, but it looked pretty much like what I’d written.
I realized I’d just been complimented.
I was less proud of my performance on another Thursday night, when there had been some local flooding and I was told to do a phone interview with one of the folks in charge of handling the disaster.
Nobody had warned me that the guy was going to talk so fast, and I struggled to keep up with him as I tried to jot down what he said. God knows what he thought of me.
(Well, actually, he probably thought I was a doofus the next day if he read the story and realized I’d gotten a minor fact wrong. Yes, that still stings a bit.)
As Christmas approached, Dick told us that we could come in during the holiday break and hang out with someone from one of the papers. I could have arranged to hang out with a reporter, but I’d been interested in what the folks on the evening paper’s copy desk were doing.
If Steve Mekeel was surprised by my appearance, he weathered the blow well. He had me sit down and gave me a few things to edit – harmless stuff, like a brief from the local museum or a military handout saying that Cpl. Whatsis, son of Mr. and Mrs. Whatsis of our fair city, had been promoted to something or other.
This was long before computers – hot type, though on its very last legs, was still the modus operandi – so I marked up the copy with a pen or pencil and tried to write the headlines to match the specifications on the copy.
At one point I proudly handed in the military handout, and Steve went over it.
“You did OK as far as you went,” I remember him saying, “but you didn’t really edit it.”
He handed it back, with all the changes he had made – tightening it, changing the wording to make it read better and conform to something called “style.”
Wow, I thought. I’d never thought to make those changes!
Yet I wasn’t dispirited. Somehow I knew two things:
1, I really liked this.
2. If I could learn to do it, I might have a real job someday – the very thought that was in my prayerful parents’ minds when they'd let me sign up for the program.
I did a few more stories and headlines. I think one of the headlines got in.
The Explorer meetings continued until the end of the school year. We’d started with a large group, but it had dwindled. I think the folks at the paper ran out of things for us to do. I once heard Dick grumble – well within earshot of me, though he plainly didn’t care – that his boss was supposed to be in charge of the program but had pretty much delegated it to Dick (not an uncommon occurrence, I was to learn years later), and how was Dick supposed to arrange things for us to do when he himself had his own work to do?
So a lot of kids lost interest. I especially remember one student who smoked a cigar in the meeting room and wanted to turn the program into a literary magazine. He walked out after Dick politely but firmly set him straight.
My high school career ended along with the program. I continued on to a hometown college where I worked three semesters as a “technical assistant” (typist and proofreader) on the paper, wrote freelance TV reviews for the alternative weekly and, in my last semester, worked as a PR intern.
During my college years I’d hoped to get summer work at the papers, but I didn’t know how to go about it. I’m sure that the fact that I misspelled Steve Mekeel’s last name in a letter to the managing editor didn’t help.
A few months before graduation, my PR boss, who’d worked for the morning paper, got me an interview with the managing editor.
Great, I thought, this is it!
It wasn’t. There were no openings.
I graduated and sat around like an idiot for several months before my PR boss called and said she’d heard of an opening at the morning paper. She said she hadn’t mentioned my name but that I should get down there ASAP.
Luckily for me, security at the papers was practically non-existent, so I was able to get into the newsroom and find the managing editor, who professed not to remember me. But I kept talking and, perhaps just to shut me up, he handed me an editing test.
I worked on it and handed it in.
He then told me to go to one of the electric typewriters and type up the test, which was two or three pages long.
I’d never used an electric typewriter.
I handed my work in about an hour later.
I’d raided the newsroom at 3 p.m. Now it was nearing 5, and the managing editor, having looked at my test and having sat me down, was telling me how there were a number of people in the newsroom who were around my age, and that he thought I might fit in well.
It occurred to me that without telling me he was hiring me, he was hiring me.
Oh my. (I’ve told a lot of people this story. They can hardly believe it. Years later, I just barely believe it myself.)
I started the next day, reporting to the managing editor, who escorted me to the copy desk and introduced me to the guy in the slot.
Steve Mekeel looked me over and said, "You've been here before, haven't you?"
I worked with him and learned from him -- and many others -- over the next few years and (in some cases) even beyond.
I spent 30 years there, mostly on the morning paper before it and the evening paper merged. If Dick Beaudet remembered me, he never mentioned it, though he always treated me as a fellow professional, and it was now obvious that his gruffness was (for the most part) a facade behind which lived a caring family man who over the years won the affection of those who worked for him.
I was too shy to bring up the Explorers with him until he retired some years later, and I sent him a card in which I mentioned my time with the group and thanked him.
I still remember him coming up to me at a company party and thanking me for the card; it had meant a lot to him.
That was the last time I saw him.
A few years ago I myself retired along with a few others, and the company threw us a little party.
Dick Beaudet wasn’t around to invite, but Steve Mekeel was.
During my farewell address, I mentioned that long-ago afternoon on the copy desk and introduced Steve to the staff, telling them he was the guy I was pretending to be all along.
I wasn’t looking, but a friend of mine told me Steve grinned from ear to ear when the room erupted in applause.
Within a few years, Steve, too, was gone.
There are others I could write about, and maybe I’ll do that someday, but this is long enough for now.
It was early afternoon, so there was only one person there. The “desk” was actually a group of desks arranged in the shape of a right-angled horseshoe, and he sat in the center of it as the “slot,” or supervising copy editor.
When he saw me, he did a double take. To this day I don’t know whether it was a real double take or whether he was trying to be funny.
But given the ironic lack of communication among those who toil in the news business, I wouldn’t be surprised if no one had told Steve Mekeel that this high school student standing in front of him was supposed to spend an afternoon with him.
This had been arranged (or so I thought) by a guy named Dick Beaudet, who worked on the night desk of the evening paper, which was owned by the same company and had a separate staff that was literally walled off from their competitors on the morning paper. The company had recently launched a program in which young people with an interest in journalism could hang out at the papers to get an idea of what it was like.
Our group was part of the Exploring program, sponsored by the Boy Scouts, although I fortunately never had to wear a uniform and even more fortunately never had to try to cook anything over an open fire.
I’d joined after receiving a form letter from the publisher, inviting me aboard on the basis of a career questionnaire I’d filled out at school. The group met for the first time that fall and for the rest of the school year usually met every second Thursday night.
I’ll never forget our second meeting.
Dick had us all in the evening paper’s newsroom, seated at manual typewriters.
“All right,” I recall him saying with a bluster that would have done Perry White proud, “you’re all going to write a story tonight! You’re not going to have to do any reporting, because I’m going to give you the facts, and whoever writes the best story will get it in the paper!”
The “story” was about how, in the meeting room downstairs, someone from the local Boy Scout council was going to give a representative of the company the charter for our Explorer Post as our parents watched.
Dick rattled off the facts, and I put together a story. I’d never written a news story before, but I’d been reading the local papers for years – I was somehow able to read at a very early age and as a tot would sometimes beat my grandmother to the evening paper when it arrived – and I must have picked up the standard “inverted pyramid” newswriting format through some form of osmosis.
The next night when the paper arrived at my home, the top of the front of the second section featured a story “By Mark Murphy, Explorer Post Reporter.”
My first byline. (Nothing like it. Still have it somewhere.)
Some weeks later Dick tossed me a two- or three-page handout from a state senator and asked me to write a story from it.
Two weeks later, Dick, again in Perry White mode, came up to me. “You Mark Murphy?”
I indicated that I was.
“Here!” he said with no warmth whatsoever as he tossed a tearsheet at me. Then he walked away to handle some other onerous chore.
I looked at the tearsheet. It contained my rewrite of the handout. There was no byline on it, but it looked pretty much like what I’d written.
I realized I’d just been complimented.
I was less proud of my performance on another Thursday night, when there had been some local flooding and I was told to do a phone interview with one of the folks in charge of handling the disaster.
Nobody had warned me that the guy was going to talk so fast, and I struggled to keep up with him as I tried to jot down what he said. God knows what he thought of me.
(Well, actually, he probably thought I was a doofus the next day if he read the story and realized I’d gotten a minor fact wrong. Yes, that still stings a bit.)
As Christmas approached, Dick told us that we could come in during the holiday break and hang out with someone from one of the papers. I could have arranged to hang out with a reporter, but I’d been interested in what the folks on the evening paper’s copy desk were doing.
If Steve Mekeel was surprised by my appearance, he weathered the blow well. He had me sit down and gave me a few things to edit – harmless stuff, like a brief from the local museum or a military handout saying that Cpl. Whatsis, son of Mr. and Mrs. Whatsis of our fair city, had been promoted to something or other.
This was long before computers – hot type, though on its very last legs, was still the modus operandi – so I marked up the copy with a pen or pencil and tried to write the headlines to match the specifications on the copy.
At one point I proudly handed in the military handout, and Steve went over it.
“You did OK as far as you went,” I remember him saying, “but you didn’t really edit it.”
He handed it back, with all the changes he had made – tightening it, changing the wording to make it read better and conform to something called “style.”
Wow, I thought. I’d never thought to make those changes!
Yet I wasn’t dispirited. Somehow I knew two things:
1, I really liked this.
2. If I could learn to do it, I might have a real job someday – the very thought that was in my prayerful parents’ minds when they'd let me sign up for the program.
I did a few more stories and headlines. I think one of the headlines got in.
The Explorer meetings continued until the end of the school year. We’d started with a large group, but it had dwindled. I think the folks at the paper ran out of things for us to do. I once heard Dick grumble – well within earshot of me, though he plainly didn’t care – that his boss was supposed to be in charge of the program but had pretty much delegated it to Dick (not an uncommon occurrence, I was to learn years later), and how was Dick supposed to arrange things for us to do when he himself had his own work to do?
So a lot of kids lost interest. I especially remember one student who smoked a cigar in the meeting room and wanted to turn the program into a literary magazine. He walked out after Dick politely but firmly set him straight.
My high school career ended along with the program. I continued on to a hometown college where I worked three semesters as a “technical assistant” (typist and proofreader) on the paper, wrote freelance TV reviews for the alternative weekly and, in my last semester, worked as a PR intern.
During my college years I’d hoped to get summer work at the papers, but I didn’t know how to go about it. I’m sure that the fact that I misspelled Steve Mekeel’s last name in a letter to the managing editor didn’t help.
A few months before graduation, my PR boss, who’d worked for the morning paper, got me an interview with the managing editor.
Great, I thought, this is it!
It wasn’t. There were no openings.
I graduated and sat around like an idiot for several months before my PR boss called and said she’d heard of an opening at the morning paper. She said she hadn’t mentioned my name but that I should get down there ASAP.
Luckily for me, security at the papers was practically non-existent, so I was able to get into the newsroom and find the managing editor, who professed not to remember me. But I kept talking and, perhaps just to shut me up, he handed me an editing test.
I worked on it and handed it in.
He then told me to go to one of the electric typewriters and type up the test, which was two or three pages long.
I’d never used an electric typewriter.
I handed my work in about an hour later.
I’d raided the newsroom at 3 p.m. Now it was nearing 5, and the managing editor, having looked at my test and having sat me down, was telling me how there were a number of people in the newsroom who were around my age, and that he thought I might fit in well.
It occurred to me that without telling me he was hiring me, he was hiring me.
Oh my. (I’ve told a lot of people this story. They can hardly believe it. Years later, I just barely believe it myself.)
I started the next day, reporting to the managing editor, who escorted me to the copy desk and introduced me to the guy in the slot.
Steve Mekeel looked me over and said, "You've been here before, haven't you?"
I worked with him and learned from him -- and many others -- over the next few years and (in some cases) even beyond.
I spent 30 years there, mostly on the morning paper before it and the evening paper merged. If Dick Beaudet remembered me, he never mentioned it, though he always treated me as a fellow professional, and it was now obvious that his gruffness was (for the most part) a facade behind which lived a caring family man who over the years won the affection of those who worked for him.
I was too shy to bring up the Explorers with him until he retired some years later, and I sent him a card in which I mentioned my time with the group and thanked him.
I still remember him coming up to me at a company party and thanking me for the card; it had meant a lot to him.
That was the last time I saw him.
A few years ago I myself retired along with a few others, and the company threw us a little party.
Dick Beaudet wasn’t around to invite, but Steve Mekeel was.
During my farewell address, I mentioned that long-ago afternoon on the copy desk and introduced Steve to the staff, telling them he was the guy I was pretending to be all along.
I wasn’t looking, but a friend of mine told me Steve grinned from ear to ear when the room erupted in applause.
Within a few years, Steve, too, was gone.
There are others I could write about, and maybe I’ll do that someday, but this is long enough for now.
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